The Spring/Summer 2026 issue explores some of the materials, objects, approaches, perspectives, and impacts of toxins and intemperance on Canada's decorative arts. 

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This issue opens with the 2025 John Fleming Award-winning article, "Threads of Resistance," by Alyssa Nolan, which examines quilt codes believed to have been used to communicate to those escaping slavery on the Underground Railroad. The history of poison in production and practice inform articles by Erika Range, Isolda Gavidia, and Timothy Greening, all of whom work with national collections. Readers will also learn about two material effects of sobriety and snuffing in articles by Ross Fox and Anthony Wu. Closing out this issue's theme is Rashana Youtzy's exhibition review of We Have The Cure, a remarkable body of work by Nigerian-Canadian artist Kosisochukwu Nnebe.